What is the Lab anyway?
Dna Lab is a music and audio post production multitask force. We are team of composers, musicians, producers, sound editors, sound designers, mixers that creates, handles, curates and even distributes audible entities.
One of our main objectives is the production of original music for TV, Film or theater. With modern means of production in combination with talent, taste and experience we can create anything except Higgs bozons. Of course, shinny music is terrible when overused, underused or put in the wrong places and that is our biggest concern when working on a project.
But wait , there is more. After 15 years of music making , the Lab expanded it’s operations to sound design and mixing. We were displeased when our music was used in films with bad sound we decided to do the design and mixing our self. So, we created a Dolby approved a mixing stage trained like Rocky and here we are.
More? Yes, Dna Lab members collaborate with each other on pure old fashioned music making. We liked the results and had to release them in the outside world. So, we created the Dna Label, our small but adorable little label.
Custom made music for every possible project, from a five second TV teaser to an epic feature film soundtrack. Our 15 years of experience on working with video, film and theatre is what makes us sure we can create the style of music that fits your project. Moreover, our library, with more than 1000 tracks can cover any taste and style when looking for something really really good but really really fast.
Sound design and foley that elevates the quality of your project. Persistency and consistency is the name of our game. Using state of the art equipment and techniques we deliver top quality sound,with no cut backs. None, period.
Our studio is approved from Dolby for creating theatrical mixes in Dolby theatrical presentation formats. Our dubbing stage is calibrated to the standarts required for accurate and quality surround soundtracks on optical and DCP prints.
A large room based on the Euponix S5 Fusion and a 7.1 monitoring system with Genelec speakers (1038, 1032, 7073), controlled by Dolby’s CP650, a standard processor in most film theaters around the world. Euphonix’s powerfull DSP handles the EQ and Dynamics for 96 channels. The desk is accompanied by the TC System 6000, that provides reverb and mastering tools. When the studio closes for the night, the desk hangs out with a Yamaha C3 Studio grand piano.
Our smaller , yet spacious, room is the heart of our music operations. Its based around an Allen Heath GSM 24R desk combined with the legendary Ensoniq Paris converters. Apart from the desk’s 24 preamps, the Music Room features pres from Neve, Oram , TLA , Aphex and Presonus. The monitoring system is provided again from 6 Genelecs (1032,1029, 7270). Of course an arsenal of UAD, SSL and TC Powercore plugins are available. Our sequencer of choice is Nuendo and other software workhorses we use are: Reason, Ableton Live, East West Play, Toontrack EZ etc. Our mic collection includes models by Schoeps, Neumann, AKG, Oktava and standards like Sure and Sennheiser.
Film and TV
“Dogtooth” by Yiorgos Lanthimos – Sound Mix
“10th Day” by Vasilis Mazomenos – Original Score, Sound Design, Sound Mix
“The Tree and the Swing” by Maria Ntouza, Sound Design, Sound Mix
“Μπιγκ Χιτ” by Carolos Zonaras - Original Score, Sound Design, Sound Mix
“Μια φορά και ένα… μωρό” by Nikos Zapatinas – Original Score
“Δρόμος” by Vasilis Tselemegos - Original Score, Sound Design, Sound Mix
E.O.T – Greek National Tourism Organisation
Cyprus Tourism Organisation
Composer and chief producer, one half of the DNA core. Sailing geek.
Chief Mixer. The tonemaster of the studio, makes sure everything sounds perfect before hitting the outside world. Vegan
Chief sound designer/musician/computer freak. Jumping from project to project in various creative roles, with a tendency to electronic sounds.